We didn’t play
much dubstep or bass music so far on Cabeza de Vaca, but this weeks mind blowing show on Scanner FM is almost all that, albeit on the fringes somehow.
This is really the problem with the “genre”: trying to locate a centre now is
impossible. Indeed, this is what makes it so intriguing if impossible to keep
up with. I got lost somewhere around the time when footwork came in. Indeed, it
is the power of different electronic styles to draw from each other like the
cloning monster in The Thing that makes them so interesting. But while all
genres borrow and change parts, it is arguably bass music that is the most
dynamic and hence the most formless since it has less functional and stylistic pressure
in many ways. Techno, for example, borrows heavily, but must always remain
rooted in 4-4 and retain its modular flexibility to keep the mix from falling
apart or showing too many joins. Bass music is the equivalent of a four wheel
drive all-terrain vehicle: adaptation to environment, palette and BPMs is
essential.
It is perhaps
this reason that we also end up playing drum n bass. The original idea was to
finish with Bass Clef, but somehow the lure of drum n bass got too strong,
especially after hearing the promise of Lee Gamble’s EP on PAN which is more evocative
than representative. One curiosity of this release is that it seems to be
almost a rememberance or memorial. It acknowledges the existence of drum n bass
as a ghost, suggesting that it is truly dead. Not entirely true of course, but
fascinating. Nobody seems to be invoking the ghosts of Chicago house or Detroit
techno, for example. But jungle…
As for the 7even
Reecordings label, I was under several misconceptions before starting out my research based
on failing memory most likely. I was under the impression that the label was
run by Florent Aupetit out of Toulouse, but it seems to have always been the
dominion of Greg G from Nantes and now in Tokyo. Aupetit under the artist name
F has certainly been responsible for some of the labels signature moments, but
their early days in the dub techno influenced wave of dubstep are given rise to
more diverse possibilities. Russian producer Oceania (who I assumed was a woman
from the cover picture of his EP) brings a more James Blake-ian balladry,
Makoto keeps a foot in the drum n bass camp whereas up-and-coming Japanese
producer brings something different altogether. Except for the absence of real
footwork or UK funky styles, 7even is pretty representative of the diversity of
current bass music and its ongoing potential.
For more details
on the label and history check out a recent interview and mix (including some
unreleased tracks) at Inverted Audio.
As promised, new
technology should be available at Scanner FM within a week or two to increase
your listening experience.
Dont forget to
check out the other electronic music shows on Scanner FM, that amongst others
include Feedback, Störung Radio and more.
Information
about the massive and cheap Electronic Explorations compilation can be found here. With regards to the discussion on the market value and colectibility of vinyl records it is worth reading the discussion for the vinyl release of four tracks from this collection by clicking here.
Also we make an
announcement for two pending shows.
LEV 2012_Day 1 from LEVFestival on Vimeo.
LEV 2012_Day 2 from LEVFestival on Vimeo.
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